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Susan Graham

Notes from Susan

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July 20, 2001

Welcome to my new website! It has been some months in the making, and I am very proud of what the many amazing people involved have produced. It's a mystery to me how these things work, and all the minute details to be considered. Some people would say it's not unlike singing however: a very natural thing if that's what you DO, but mysterious and incomprehensible if you're watching from the outside! I hope you will enjoy our various pages; even Libby the Wonder Dog had to get in on the act. Now you know who the real diva is in the family.

So now I'm sending you greetings from the beautiful Austrian city of Salzburg, home of the renowned Salzburg Festival, and birthplace of our beloved Wolfgang Amadeus Mozart. I've enjoyed a few free days upon my arrival, due to the unexpected indisposition of some colleagues, so the rehearsal start date has been postponed a bit... But who's complaining!? Gives me time to enjoy the scenery, and the sunshine.

I just finished the Metropolitan Opera tour of Der Rosenkavalier, and we had a wonderful time taking it through much of Japan! We performed in Yokohama, Nagoya and Tokyo, having rehearsed (a bit!) in Kyoto the preceding week. I've been to Japan a few times before, but each time I go it's more revealing and fascinating. I was sorry I couldn't bring my pup Libby, but they do not vaccinate there so they don't allow foreign animals. I missed her terribly but from what I gather, she barely noticed I was gone (check out HER version in Libby's Travels)!

It was a great trip and such fun to do my favorite opera again in an exotic locale with such wonderful friends as Renée Fleming, Franz Hawlata and Heidi Grant Murphy, and conducted by Sir Andrew Davis. I even made some new friends within the Met family (the nature of a tour; imagine over 400 Met personnel all in the same hotel, it was rather like a VERY extravagant school trip!), and we enjoyed some amazing Japanese dining experiences and excursions into ancient villages.

That was followed quickly by a recording in Birmingham, UK with the wonderful City of Birminham Orchestra, built to prominence by Sir Simon Rattle. Yves Abel conducted the orchestra through a recording of French operetta but there's not a single NOTE of Offenbach in it! You'll have to wait and be surprised......and I think you WILL be surprised....!!

And that brings us to the present; a very busy summer season in Salzburg. I'll be performing the Composer in Richard Strauss' "Ariadne auf Naxos," singing a concert with Sir John Eliot Gardiner including Berlioz' "Les Nuits D'ete," and a recital with Sir Thomas Hampson as part of his "Hampson Project." (He's not really a "Sir" but after mentioning all the others I wouldn't want him to feel left out...but he IS a Kammersänger, so that counts...) The main focus of the project is American poets set by European composers. We've also bent the rules a little bit to include European-ISH composers, i.e. those highly influenced by time spent living/studying in Europe. The project includes three evenings: one with Mr. Hampson alone, one in which he is joined by Barbara Bonney, and the last in which I will appear with him. The pianist for the two duo-recitals is the wonderful Malcolm Martineau.

Whew!! I hope you have a more restful summer planned, and an enjoyable one!
Cheers! Susan


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